This shoot is an enhancement personification of a journey of a painting. It is a spiral path to the pilgrimage that marks transcendence of something ethereal. The commemoration of even the trifle of ingredients is seen in the frames, it marks the importance of every element in the creation of a majesty. The tantalising blank canvas, the peremptory of the brush, the cascading of the water through the brush, the anglomeration of hues, all are a step to reach the end of the helix where lies the sumptuous etherealness.
The frame speaks about the tranquility of a blank canvas. The solitude of whiteness portrays a solace who’s pilgrimage begins at the top of a spiral. It’s a story about a tantalising beauty that wants to be agglomerated with hues.
The model is the personification of an empty canvas standing at the embarkation of a greater journey of how a painting is made. The nudish make-up, the flat tied up hair and the white saree are all metaphors for space awaiting a sprash to exhume and confer a life into it.
The second frame enunciates a prose about the shenanigans of a paintbrush whose ebullience is sturdy and stout like it’s bristle. The brush is peremptorily standing on the spiral stairways beholding it’s exquisivity. Yet the humbleness is exuding the face of the model.
With the advent of the frame the draping is becoming complicated, expressing a construction. The streamlined look is achieved with an extra twist of the saree presenting the handle of the brush,the jewellery symbolising the metal binder of brush and the hair of the model reflects the bristles. Every object on the model body is allegorising the brush whose story is very well spoken in the above frame.
The third frame embarks a scintillation between the water and brush. This frame beholds a threshold of transcendence. The emarkment of something magical that ballyhoo for the imminent splendour.
The frame has a model in a blue saree with water dripping down her hair cascading a breathtaking scenery. The flowey saree and image through the glass denotes a metaphorical hydrosphere over the brush. The bewitched expression is an accolade for this placid amalgamation.
The fourth frame sing a melody of diaphanous amalgamation of hues. The cahooting of different hues to create a majestic blend of epheric beauty that transcend its way up on the tranquil canvas. The beauty of frame is in the emanating drapes as if paints percolating through the moist paper.
The model is draped in more complicated saree twists, created using two saree of starking colors resembling the vibrant hues of paints, the assiduous makeup is that of a perfectly sculpted face.
The final frame beholds within itself the final achievement. The frame proclaims the accomplishment of a stupendous splendour. The cascading of mesmerising colors, the agglomeration of hue and the model wrapped in assiduous saree creates an enchanting scenery. Splendour enough to bewitch the viewer.
